By John R. Woznicki
The New American Poetry: Fifty Years Later is a suite of serious essays on Donald Allen’s 1960 seminal anthology, The New American Poetry, an anthology that Marjorie Perloff as soon as referred to as “the fountainhead of radical American poetics.”
The New American Poetry is talked about in each literary heritage of post-World conflict II American poetry. Allen’s anthology has reached its 50th anniversary, offering a special time for mirrored image and reevaluation of this preeminent assortment.
As we all know, Allen’s anthology was once groundbreaking—it was once the 1st to distribute extensively the poetry and theoretical positions of poets corresponding to Charles Olson, Allen Ginsberg and the Beats, and it used to be the 1st to categorize those poets by means of the colleges (Black Mountain, big apple institution, San Francisco Renaissance, and the Beats) during which they're identified at the present time. Over the process fifty years, this categorization of poets into faculties has develop into one of many significant, if not just method, that The New American Poetry is remembered or valued; one convinced target of this quantity, as one reviewer invitations, is to “pry The New American Poetry out from the hoary platitudes that experience encrusted it.”
To this element critics in most cases have tested The New American Poetry as an anthology; former remedies of The New American Poetry look at it carefully as an entire. even though the just about singularly-focused examine of its building and, much less frequently, reception has lent loads of documented, hugely noticeable and debated fabric during which to contemplate, we've been left with yes notions approximately its relevance that experience turn into imbued finally within the collective severe cognizance of postmodernity.
This quantity, even though, is going past the research of building and reception and achieves whatever targeted, extending those former remedies by way of treading at the paths they carry. This quantity goals to find one other feel of “radical” that Perloff articulated—rather than an intensive that departs markedly from the standard, we invite attention of The New American Poetry that is radical within the feel of root, of harboring whatever primary, whatever inherent, as we discover and hint extra parts correlated with its frequent impression during the last fifty years.
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Extra info for The New American Poetry: Fifty Years Later
Duncan, Robert. Bending the Bow. big apple: New instructions, 1968. ———. Roots and Branches. long island: New instructions, 1964. ———. a particular Prose. long island: New instructions, 1995. Eliot, T. S. the full Poems and performs: 1909–1950. big apple: Harcourt Brace and Co. , 1980. Golding, Alan. “The New American Poetry Revisited, back. ” modern Literature 39, no. 2 (1998): 180–211. Hatlen, Burton. “Kinesis and which means: Charles Olson’s ‘The Kingfishers’ and the Critics. ” modern Literature 30, no. four (1989): 546–72. 13_419_Woznicki. indb fifty seven 11/25/13 9:30 AM 58 • Chapter 3 James, William. Writings: 1902–1910. big apple: The Library of the USA, 1987. Johnston, Devon. Precipitations: modern American Poetry as Occult perform. Middletown, CT: Wesleyan college Press, 2002. Kenner, Hugh. The Pound period. Berkeley: collage of California Press, 1971. Liebregets, Peter. Ezra Pound and Neo-Platonism. Madison, NJ: Fairleigh Dickinson collage Press, 2004. Maud, Ralph. What doesn't switch: the importance of Charles Olson’s “The Kingfishers. ” London: linked college Presses, 1998. O’Leary, Peter. Gnostic Contagion: Robert Duncan and the Poetry of sickness. Middleton, CT: Wesleyan collage Press, 2002. Olson, Charles. The accumulated Poems of Charles Olson. Edited by way of George F. Butterick. Berkeley: college of California Press, 1997. ———. The Maximus Poems. Edited by way of George F. Butterick. Berkeley: collage of California Press, 1987. ———. The exact View of historical past. Edited via Ann Charters. Berkeley: Oyez, 1970. Paul, Sherman. Olson’s Push: foundation, Black Mountain and up to date American Poetry. Baton Rouge: Louisiana kingdom collage Press, 1978. Pound, Ezra. The Cantos. manhattan: New instructions, 1996. van Hallberg, Robert. Charles Olson: The Scholar’s paintings. Cambridge, MA: Harvard college Press, 1978. Whitehead, Alfred North. the idea that of Nature. long island: Cosimo Classics, 2007. ———. “Process and fact. ” Charles Olson study assortment. Storrs, CT: collage of Connecticut Libraries. ———. procedure and truth. Edited through David Ray Griffin and Donald Sherburne. long island: The unfastened Press, 1978. ———. technological know-how and the fashionable global. ny: The loose Press, 1967. 13_419_Woznicki. indb fifty eight 11/25/13 9:30 AM CHAPTER 4 Why the hot American Poetry remains information Terence Diggory “Literature is information that remains news,” Ezra Pound declared in ABC of interpreting. 1 in a single experience, then, to say that the hot American Poetry (1960) remains information fifty years after its booklet is to assert that the paintings it brought (New American poetry with no the italics) has met the try out of time, accomplished the everlasting prestige of “literature. ” even if, the hot American poetry additionally remains information this day in one other experience that used to be now not real of the paintings of Pound or Eliot on the time while the recent American Poetry anthology was once released, under fifty years after “Hugh Selwyn Mauberley” (1920) or The Waste Land (1922). by way of 1960, there has been a frequent consensus approximately how you can learn Pound and Eliot, partially as the poets themselves had dedicated huge strength to development that consensus.